In room one there was only two pieces of work; Hirschhorn’s
‘Candelabra with heads’ and Germaine Richier's 'Shepherd of the Landes’, which
was displayed directly opposite from each other. Both works reveal harshly
contrasting ways of presenting the human figure.
The sculpture worked well being in this room as it further
emphasized the stiffness and restriction.
Thomas Hirschhorn is a Swiss artist who works and lives in
Paris. Hirschhorn is known for his sculpture and installations with brown
packing tape.
When carefully analysing his work I felt a sense of
restriction as the mannequins were tightly compressed together with brown
packing tape. This suggested a sense of ‘no freedom’; whether that be in
society or his life, this piece leaves the observer’s speculating. It is
important in this exhibition that you have an open mind when viewing the work
because during this period of time living through many crises’ followed by the
Second World War, artists were faced with the predicament of how to make art in
the shadow of catastrophe.
Hirschhorn’s work is made up of everyday materials such as
cardboard, paper and plastic bound with brown packing tape. I feel like his
work combines more than one field of art and design. Despite the fact that the
piece visually is a sculpture, you can see the combination within Fashion and textiles
because of the material he uses and how he portrays it.
I see many connections within this piece of work that are
similar to my interests. Especially the use of material. I enjoy exploring
different ways and methods to portray the same idea. I think the use of brown
packing tape makes this piece prominent.
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